- Seated
Emily Bear is about players in real time, touch, timing, and interplay you can hear. Blue Note is the better bet when you want touch, phrasing, and a clean view of the band.
Next few nights
Los Angeles shows in the next few nights
A tighter near-term scan for people planning one or two nights ahead instead of just tonight.
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Mon Nov 09 · 2:03 AMLatest public edit
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65 picksLive in the guide
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Next few nights
- Seated
Billy Vera sounds most distinctive in the late Tuesday live set & The Beaters and a long R&B/jazz standards career. The focused Tuesday live set has enough detail to earn a second look.
- Theater-Scale Room
Quadeca holds up in a room where small sounds can stay intact. The Tuesday night is easier to argue for when the bigger rooms feel too polished.
- Larger Theater Or Hall
Alanis Morissette is built around emotionally direct alternative rock and pop rock. This room first Tuesday set makes more sense if you want specificity over scale.
- Larger Theater Or Hall
Dabda goes for sweat and impact over polish. The Tuesday night has enough detail to earn a second look.
The Last Waltz 50th Anniversary Tour ft. Chest Fever: The Official Revival of the BandTomorrowOffbeatIndie
- Standing room
The Tuesday bill leans on a clear groove or melody, with the rest of the band adding texture around it. Zebulon keeps the set immediate once the music gets specific.
- Standing room
Kevin Abstract ft Knox Write stays engaging when the music gives you a clean anchor. The Roxy Theatre rewards sets that get specific before the room starts drifting.
- Large Theater
Sienna Spiro sounds most distinctive in a soulful, jazz tinged pop sound and expressive vocals. The focused Tuesday live set is more convincing when the band gives the songs a clear shape early.
- Starts 21:30
- Intimate Listening Setup
THE NO CHASERS lands harder when you can hear the grain of the singing. It stays a light bet unless the music gives you a clear hook or groove.
- General Live-Music Room
Tuba Skinny leans on a clear groove or melody, with the rest of the band adding texture around it. If you are already near Gold Diggers, the Tuesday night is a sensible stop.
- Art Deco Theater Room
Stephen Day is strongest when polished pop and soul inflected indie music comes through clearly. This feels like a real destination night, not a backup.
- Seated
Emily Bear puts tone and rhythm section detail right out front. At Blue Note, it leans on precision more than spectacle.
- Theater-Scale Room
MGNA Crrrta puts skittish, internet brained club pop with crunchy bass, EDM leads, and hyper online performance energy out front. The Wednesday music makes more sense if you want specificity over scale.
- Standing room
Russian Circles is strongest when the weight and precision of post metal comes through clearly. This compact Wednesday set has enough detail to earn a second look.
- Seated
The BBB puts tone and rhythm section detail right out front. The Wednesday music has enough musical detail to compare honestly with the larger bills.
- General Live-Music Room
Strand Luck is a guitar set built on volume, edges, and immediacy. The Wednesday night is the kind of smaller show that can beat the obvious bigger room.
- General Live-Music Room
The Detours is a guitar set built on volume, edges, and immediacy. The Wednesday music is easier to argue for when the bigger rooms feel too polished.
- Larger Theater Or Hall
Guttermouth puts fast, irreverent skate punk and a long running live presence out front. The Wednesday night makes more sense if you want specificity over scale.
- Starts 20:00
- Standing room
The Tallest Man on Earth feels strongest when one part of the arrangement clicks early. At Lodge Room, textured music has enough space to open up.
- General Live-Music Room
Noir Dalis is a guitar set built on volume, edges, and immediacy. This gets more interesting if one part of the arrangement grabs you fast.
- General Live-Music Room
Trauma ray goes for sweat and impact over polish. The focused Wednesday live set is more convincing when the band gives the songs a clear shape early.
- Flexible Art And Performance Space
Dexter Story T'som Album Release Party is a jazz set where the band texture matters as much as the tunes. 2220 Arts + Archives keeps the set immediate once the music gets specific.
- Standing room
Green House, Colloboh goes for body movement before close listening. The late Wednesday live set gets a more revealing room at Zebulon, which helps when the music has real edges.
- Seated
Talib Kweli sounds most distinctive in conscious hip hop, solo work, and his role in Black Star. Blue Note puts the music under a bright light, which helps when the players can really play.
- Large Club Room
Lindsey Lomis puts bright vocals, guitar centered songs, and polished hooks out front. This room first Thursday set has enough detail to earn a second look.
- Theater-Scale Room
MGNA Crrrta leans on skittish, internet brained club pop with crunchy bass, EDM leads, and hyper online performance energy. The focused Thursday live set is the kind of smaller show that can beat the obvious bigger room.
Sienna Spiro is strongest when a soulful, jazz tinged pop sound and expressive vocals comes through clearly. This direct Thursday set has enough musical detail to compare honestly with the larger bills.
- General Live-Music Room
Sienna Spiro is built around a soulful, jazz tinged pop sound and expressive vocals. The Thursday music is the kind of smaller show that can beat the obvious bigger room.
- Flexible Art/Performance Setup
Hyper Minds is a guitar set built on volume, edges, and immediacy. The Smell is right when polish would miss the point.
- Starts 20:00
- Standing room
The Tallest Man on Earth leans on a clear hook or groove that makes the rest of the set easier to hear. Lodge Room is strong for sets that need both volume and detail.
- Standing room
Ateez Golden Hour Part6 Official Album feels strongest when one part of the arrangement clicks early. Teragram Ballroom rewards sets that get specific before the room starts drifting.
- Standing room
Peel Dream Magazine, Sunday Mourners leans on a clear hook or groove that makes the rest of the set easier to hear. Zebulon puts the Thursday show close enough to the band for the songs to do the work.
- Standing room
Dylan Matthew feels strongest when one part of the arrangement clicks early. At The Roxy Theatre, the close room keeps the set immediate.
- Standing room
Sabaton, Legends on Tour feels strongest when one part of the arrangement clicks early. This direct Thursday set at Hollywood Palladium comes across better when the first song gives the night a clear shape.
- Venue page only
- Seated
Multiple Multiple NOW 2026 Brenda Barrios, Cody Perkins /. Stays engaging when the music gives you a clean anchor. The Thursday show at REDCAT comes across better when the first song gives the night a clear shape.