Tonight to next week
Los Angeles live music for tonight and the week ahead
A fast concert board for late planners who still care about the room.
80 picksCurrent guide
11 tonightOn the board
109 roomsLA venues
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80 picksLive in the guide
When
Type of night
No matching shows in this view. Try all dates or all types.
Tonight
- Intimate Listening Setup
Haruomi Hosono puts a wide ranging catalog across folk, electronic, pop, ambient, and global sounds out front. The Thursday night has enough musical detail to compare honestly with the larger bills.
- Theater-Scale Room
The Warning is built around a heavy touring profile. The Thursday night sells itself through the music on Thursday.
- General Live-Music Room
Cold Cave feels strongest when one part of the arrangement clicks early. This compact Thursday set has enough detail to earn a second look.
- Larger Theater Or Hall
The Fell is a guitar set built on volume, edges, and immediacy. For Thursday, the Thursday night lands better when the songs announce themselves quickly.
- Seated
CHIEF ADJUAH STRIKES BACK is about players in real time, touch, timing, and interplay you can hear. Blue Note Los Angeles rewards sets that get specific before the room starts drifting.
- Flexible Art And Performance Space
Books Launch, HEXENTEXTE with Kim Young + Cindy Rehm puts tone and rhythm section detail right out front. At 2220 Arts + Archives, the close room keeps the set immediate.
- Standing room
Gordi feels strongest when one part of the arrangement clicks early. Zebulon rewards sets that get specific before the room starts drifting.
- Venue page only
- Standing room
The Damnwells, Celebrating 20 Years of Air Stereo feels strongest when one part of the arrangement clicks early. Lodge Room rewards sets that get specific before the room starts drifting.
- Standing room
80s night with $TARFACE & TYGA leans on a clear groove or melody, with the rest of the band adding texture around it. At The Roxy Theatre, the close room keeps the set immediate.
- Outdoor Amphitheater
Ravel, Debussy & Saint-Saëns is a jazz set where the band texture matters as much as the tunes. The Thursday music is more convincing when the band gives the songs a clear shape early.
Tomorrow
- Standing room
Catherine Moan is strongest when moody, danceable indie electronic songwriting comes through clearly. At Zebulon, exploratory sets feel less like homework and more like nightlife.
- Standing room
Reverberation Radio DJ Night is strongest when selections spanning psych, garage, soul, boogie, disco, and left field sounds comes through clearly. The Friday music at Zebulon reads clearly fast in a room that does not hide much.
- Standing room
PawPaw Rod lands harder when you can hear the grain of the singing. At The Roxy, a strong act can still feel close enough to read.
- Standing room
San Holo is strongest when melodic bass music that blends future bass, trap, indie pop, and guitar led textures comes through clearly. The Friday music has enough musical detail to compare honestly with the larger bills.
- Standing room
Quebradita Darks stays engaging when the music gives you a clean anchor. The Friday music LA is easier to argue for when the bigger rooms feel too polished.
- General Live-Music Room
Flux Pavilion leans on dubstep and bass music. The Friday music feels stronger when the sound is more specific than the title alone.
- Theater-Scale Room
The Warning is strongest when a heavy touring profile comes through clearly. This direct Friday set has enough detail to earn a second look.
- General Live-Music Room
Da Tweekaz is strongest when euphoric, high energy festival hard dance comes through clearly. The Friday music has enough detail to earn a second look.
- General Live-Music Room
San Holo puts melodic bass music that blends future bass, trap, indie pop, and guitar led textures out front. This compact Friday set makes more sense if you want specificity over scale.
- General Live-Music Room
Above & Beyond sounds most distinctive in trance and progressive house. The Friday music is easier to argue for when the bigger rooms feel too polished.
Next few nights
- Flexible Art And Performance Space
Carla dal Forno sounds most distinctive in minimal post punk, dubby basslines, spectral synth pop, and coolly intimate vocals. 2220 works well for music that asks for attention more than spectacle.
- Standing room
Tiffany Day is built around diaristic alt pop/R&B with online era hooks and self produced polish. The Saturday music is the kind of smaller show that can beat the obvious bigger room.
- General Live-Music Room
Boombox Cartel puts trap, bass, and festival oriented dance music out front. For Saturday, the Saturday music lands better when the songs announce themselves quickly.
- General Live-Music Room
Funky Sole lands harder when you can hear the grain of the singing. Gold Diggers keeps the distance short between the band and the room.
- Standing room
Big Gigantic puts EDM, funk, and hip hop festival scale production out front. Exchange makes sense when the production is part of the point.
Journey keeps the focus on classic rock radio staples and large scale touring. This room first Saturday set makes more sense if you want specificity over scale.
- Standing room
Klub Nocturno leans on a clear hook or groove that makes the rest of the set easier to hear. The Saturday night is the kind of smaller show that can beat the obvious bigger room.
- Intimate Listening Setup
SHINE Mawusi Women's African Drum Circle stays engaging when the music gives you a clean anchor. At The World Stage, the music speaks directly or not at all.
- Standing room
Tommy Fleece is built around movement, bass, and a room that wants to dance. This room first Saturday set is easier to argue for when the bigger rooms feel too polished.
- General Live-Music Room
Micky Dolenz lets the rough parts stay rough, which is part of the appeal. This compact Saturday set is the kind of smaller show that can beat the obvious bigger room.
- Intimate Listening Setup
The Saturday show lands harder with a real voice or rhythmic hook. The Saturday show feels stronger once the first impression is musical, not just logistical.
- Seated
The Tony Guerrero Quintet is about players in real time, touch, timing, and interplay you can hear. This compact Saturday set is easier to argue for when the bigger rooms feel too polished.
- Seated
Tierney Sutton is strongest when polished vocal jazz performance comes through clearly. Catalina is for nights where the room listens instead of shouts.
- Intimate Listening Setup
Devin Daniels is a jazz set where the band texture matters as much as the tunes. The Saturday night makes more sense if you want specificity over scale.
- Venue page only
- General Live-Music Room
Fantasm is the physical end of the night, more pulse than reflection. The close Saturday live set is the kind of smaller show that can beat the obvious bigger room.
- General Live-Music Room
Sabai leans on a clear hook or groove that makes the rest of the set easier to hear. The Saturday music has enough musical detail to compare honestly with the larger bills.
- Standing room
Bratmobile is a guitar set built on volume, edges, and immediacy. Lodge Room feels like a real room without losing the floor.
- General Live-Music Room
Mark Guiliana keeps the focus on precise, hyper rhythmic playing across jazz, electronic music, and art rock contexts. This direct Sunday set has enough musical detail to compare honestly with the larger bills.
The full week ahead
Seven days, condensed into one glance.
Mon Sep 14
3 showsLodge RoomBest room: Lodge RoomTue Sep 15
2 showsZebulonBest room: ZebulonWed Sep 16
6 showsHollywood ForeverBest room: Hollywood ForeverLater this week
- Flexible Art And Performance Space
Rumbo Tumba feels stronger once the first impression is musical, not just logistical. This direct Monday set lands harder with a real voice or rhythmic hook.
- Flexible Art And Performance Space
Rumbo Tumba leans on a clear groove or melody, with the rest of the band adding texture around it. The Tuesday music sells itself through the music on Tuesday.
- Seated
Chucho Valdés is built around virtuosic Afro Cuban jazz. Blue Note is the better bet when you want touch, phrasing, and a clean view of the band.
- Seated
Chucho Valdés keeps the focus on virtuosic Afro Cuban jazz. Blue Note works well when you want to hear whether the voice or band has depth beyond the record.
- Seated
Talib Kweli is strongest when conscious hip hop, solo work, and his role in Black Star comes through clearly. At Blue Note, It leans on precision more than spectacle.
- Standing room
Unsane puts abrasive guitar/bass/drums force and influential underground heaviness out front. At Lodge Room, a set can breathe but still feel close to the floor.
- Theater-Scale Room
Haute & Freddy is built around a stylized, theatrical presentation and glossy, personality forward songwriting. The close Tuesday live set has enough detail to earn a second look.
- Standing room
Jakone & AVG puts glossy club facing production and a touring diaspora audience out front. Avalon makes most sense when scale and club energy are part of the appeal.
Go by neighborhood
When geography matters, start with the parts of town that already have the right rooms and current listings.
Hollywood
8 shows this week across 11 rooms.
The Warning, Cold Cave
Downtown LA
8 shows this week across 15 rooms.
Janky Smooth Presents Urgent Care W Dj Versa Vice Tickets 8Jqd4Y, Public Image Ltd - This Is Not The Last Tour
Promoter
8 shows this week across 0 rooms.
Flux Pavilion, Da Tweekaz
West Hollywood
8 shows this week across 6 rooms.
The Fell, 80s night with $TARFACE & TYGA
Los Angeles
8 shows this week across 4 rooms.
Haruomi Hosono, LA VS. WAR II Read more →
Venice
8 shows this week across 3 rooms.
Dr Spaceman W The Royal Huntingtones Andrew Kline The Warriors Peace, ZZK Records & KCRW Presents Chancha Via Circuito & Coco Maria + El G
Mon, Sep 14
- Venue page only
- Standing room
Alabaster Deplume leans on a clear groove or melody, with the rest of the band adding texture around it. At Lodge Room, the close room keeps the set immediate.
- Standing room
Kenny Mattucci, Jumpstarted Plowhards (Mike Watt), The Sleeperz leans on a clear hook or groove that makes the rest of the set easier to hear. Zebulon keeps the set immediate once the music gets specific.
- Standing room
Jack Harlow - Monica Tour leans on a clear hook or groove that makes the rest of the set easier to hear. The close Monday bill lands harder with a real voice or rhythmic hook.
Tue, Sep 15
- Standing room
The Tuesday show on Tuesday reads better if Zebulon sharpens the details instead of swallowing them. Zebulon puts the Tuesday show close enough to the band for the songs to do the work.
- Seated
Gerald Clayton keeps the focus on a lyrical modern approach to small group improvisation. Sam First gives this direct Tuesday set a close enough room for the songs to speak for themselves.
Wed, Sep 16
- General Live-Music Room
Angus & Julia Stone keeps the focus on intimate acoustic songwriting, soft harmonies, and understated indie arrangements. The Wednesday night feels stronger once the first impression is musical, not just logistical.
- Art Deco Theater Room
The Wednesday show feels stronger once the first impression is musical, not just logistical. The Wednesday music is more convincing when the band gives the songs a clear shape early.
- Standing room
For Wednesday, the Wednesday show justifies the trip through sound, not convenience alone. The Wednesday show gets a more revealing room at The Roxy Theatre, which helps when the music has real edges.
- Standing room
Starbomb featuring DJ Commander Meouch - Probably The Only Tour Ever stays engaging when the music gives you a clean anchor. The Wednesday show sells itself through the music on Wednesday.
- Outdoor Amphitheater
Andrea Bocelli is about players in real time, touch, timing, and interplay you can hear. This direct Wednesday set sells itself through the music on Wednesday.
- Free
- General Live-Music Room
Micky Dolenz is a guitar set built on volume, edges, and immediacy. The Wednesday night feels stronger when the sound is more specific than the title alone.
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